These photographs are primarily a series of intuitively chosen ‘scenes’, land and seascapes captured with an open, meditative gaze. The images contain an unambiguous narrative, part of a documentary tradition dedicated to conveying what Paul sees, rather than the artifice of the constructed image. The works dating from 1990 to the present day stand as independent images, but also resonate with a shared aesthetic, as the ‘scenes’ organically form a natural series.